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Album Reviews |
A Tribe Called Quest
The follow-up to De La Soul's 'Three Feet High And Rising' that never was. 'A Tribe Called Quest' filled a gap in the market as De La Soul got all serious on us. Well, there isn't the same level of playfullness here either as 'Three Feet High', yet there's a smooth, sensuous and funky jazzy groove instead. It sounds like a high-brow rap album, one you could play at dinner parties yet still get down to later on your own when you're going out on a Friday night. It's classy, what can I say? It received largely good critical receptions upon release, yet there were one or two dissenters. Rolling Stone famously called it 'one of the least danceable rap albums ever' and 'boring'. It met with only cult commercial success and these days can perhaps seen to have been merely ahead of its time. So much so, it still sounds 'current' even today. It truly has a timeless appeal which is so rare in rap/hip-hop circles. A whole host of samples of soul and funk / jazz music features, tiny grooves or guitar/bass lines. Well, with a few exceptions. Minor hit 'Can I Kick It' is built entirely around the 'Walk On The Wildside' bass-line but the song is different enough with the rapping and all to not deserve to be called gratuitous. I'd give the album a nine by the way but the second half of the album doesn't really build upon the first half. A couple of the very best tunes are on the first half of the album anyway, the opener 'Push It Along' and 'Footprints'. 'Push It Along' is nearly eight minutes long. It builds upon a heavy bass drum, a soul music guitar phrase and ultra smooth rapping from Q-Tip. 'Footprints' sports absolutely superbly smooth rapping atop a soul groove. It's all good. Rolling Jazz/Funk basslines together with short snatches of actual Jazz records, 'The Low End Theory' fuses both styles although leans far more towards being a hip-hop album. It draws connections between Jazz and Hip-Hop, among other styles, although the musical focus is more consistent than their acclaimed debut. This second album from the Queens hip hop crew consists of Q-Tip, Phife Dawg, and DJ Ali Shaheed Muhammed. Not heavy on guest stars at all, although one notable guest is an early public appearence from Busta Rhymes. Musically, apart from the Jazz textures, everything is largely stripped back to allow the vocals, drums and bass to shine, the essence of good hip-hop. 'Excursions' is a statement of intent, riding along Jazz rhythms which underpin the beats and a great, smooth vocal flow. This kind of track wouldn't appear out of place on an Eric B and Rakim album, which is high recommendation in our house. 'Buggin Out' sports a funky Jazz bass line, drum beats and constant flowing raps weaving in and out but really just the backing alone, all so simple, is enough by itself. Never in a million years really hardcore, 'A Tribe Called Quest' do include smattering of musically harder hitting songs, 'Butter' perhaps one of the best in that style here. Again, good rap and the Jazz sample that weaves in is really nice. Vocally, although still largely dominated by Q-Tip, 'The Low End Theory' also makes plenty of room for Phife Dawg whilst Ali Shaheed Muhammad dominates the musical side of things. |
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