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Album Reviews |
Yuck
London four-piece Yuck clearly love the early, pre-britpop nineties - particularly the American bands that were around pre Nirvana, making it big. Think Dinosaur Jr in particular. Some other tracks sound like the band should have waited a bit longer before releasing a debut album, as the quality of material is extremely variable throughout. Peter Buck from REM recently said something that really resonates with me, you can get away with sound, newness and surprise for your first couple of albums but after that you've really got to learn how to write songs. 'Georgia' for instance is a Cure riff coated in a hell of a lot of fuzz and distortion whilst a lo-fi vocal weaves in and out, shoegaze style. It's not unattractive, yet all the elements are obvious to guess and the song doesn't really go anywhere after that initial borrowed Cure riff comes in. 'Holing Out' is another track that relies seemingly alone on a fuzzed up guitar riff and again, indistinct and characterless vocals float in and out. Again, it's not so much a song as a single guitar riff, although half-way through we do get an enjoyable guitar solo of sorts that Dinosaur Jr would be proud of. 'Sunday' is seemingly an attempt at writing a proper song, it's softer, relies far less of distortion or sounding like Sebadoh and is a fairly decent track. Single 'Get Away' has received daytime radio-play and sounds like a classic Dinosaur Jr track and it also showcases the bass guitar man, good bass melodies and deepness here. 'Tell me when the pain kicks in' before a life-affirming at an indie-disco chorus, wonderful stuff. |
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Made In Devon.